Big week for movies coming up

I am excited for the upcoming week. And not because of the Oscars on Monday night. I wasn’t nominated for anything, despite my dramatic background performance in Guillermo del Toro’s upcoming thriller Crimson Peak. My role in that one may be a bit like Where’s Waldo. But I did get paid $141 for getting up at 2am and doing several retakes while tending chickens in the market and hanging out between takes eating a hot dog with Mia Wasikowska.

No, my excitement is for two premieres happening later in the week. The first is an invitation-only first screening of Nightrunners -the Movie in Toronto on Thursday night. This thriller was shot in Kenya in early 2013 and I was lucky enough to be there for most of the shoot, filling a number of roles from looking for locations to putting on bandages and taping iv’s in place on the actors. I even had one scene in the movie with a few lines.

Unfortunately it ended up on the cutting room floor. The director claims that it was not due to my acting but maybe she was being kind. The scene was shot in a real hurry as rain clouds threatened and the light from sunset was quickly dying. The intent was that I carried the leading lady from the lake something like King Lear and Cordelia and then we had a bit of dialogue. Because the rain threatened to damage lights and equipment and the schedule was running tight, we did this scene three times with no rehearsal. Prior to each take the director poured a pail of water over me and we then managed through our lines in the sand on the beach, having never even read them together before. It was fun but we had to pack up quickly to save the equipment ( I was already drenched) and I have never seen the takes. I am wondering if they even filmed anything or if it was just fun dumping water on me as a joke.

A consolation could be that it is one more thing that I share with actor Chris Cooper. Last year with King’s Town Players I had the role of Charlie Aiken in August, Osage County, a part played by Cooper in the movie. I also learned that he had been totally cut from scenes in The Ring. Apparently he had a part early and late in the film but the test audiences wanted more of him and as a result his entire part was cut out. Maybe director Neilson was concerned that the Nighrunners audience would want more of Heinrich.

Nevertheless, the movie will premiere on Thursday night and I will be there to enjoy it. I can hardly wait for it to be shown to the folks in Kenya who had significant roles in it. Will it be worth a 35 hour trip both ways for the 2 hours of sharing this moment with my Kenyan friends? We will see.

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On Saturday night at the Kingston Canadian Film Festival, Leigh Ann Bellamy’s movie, Fault, will be shown for the first time at Memorial Hall. I was present for much of this movie shoot doing the still photography. I saw a rough cut and my right arm appears twice (unless Leigh Ann has cut those scenes, too). At least there were no pails of cold water for this one. It will be a real pleasure to enjoy this evening with my friends in the cast and crew. So proud of them for this production.

It has been great fun to be associated with these movies and watch them take shape. It has given me a totally new perspective when I see a film as I am more aware what goes into each take.

Who knows where these two films will end up being shown. Watch for them. And will you be able to find me in Crimson Peak? I doubt it, but I will know that I am there.

Movie magic – behind the scenes

Anyone who has worked with Domino Theatre in Kingston, Ontario is familiar with the practical but rather stark actors’ dressing room.  White plaster walls, big mirrors, lights and a floating rack of costumes for whatever production is in the works.

DR1Last weekend the crew of Fault were challenged with turning that little room into a location for their movie, presumably a dressing room in the rural “Barn Theatre” where some of the movie action occurs.  Last year, scenes on the stage of the “Barn” theatre, in the lobby and lounge and outside the theatre were filmed. An additional pick up scene was required to finish the film and the original location was not available.  Fault‘s producer, Barbara Bell, coaxed her Kingston theatre friends to let Fault use the Domino dressing room for this scene.

The crew arrived at Domino around 6 pm after a day shooting outdoors and started to scrounge for set pieces to give the place more character.

Director Leigh Ann Bellamy contemplating how to dress this set.

Director Leigh Ann Bellamy contemplating how to dress this set.

Now, if you are going to look to dress a set, the best place to be is in a theatre.  Soon the small crew came up with pieces of wall and drapes and lights and set pieces that turned one corner of the DominoTheatre dressing room into a wonderfully warm set, rich with great character.

The scene, with Jennifer Verardi and Amelia MacKenzie-Gray-Hyre and directed by Leigh Ann Bellamy was shot from several angles, including one from between the costumes on the rack.

By 11 pm it was a wrap, the props and set dressing all returned to various cubby holes in the Domino Theatre and the crew on thier way home, anticipating one more day if shooting before the movie was in the can and ready for all the work of post production.

In the past year or two I have had the pleasure of working, in varying capacities, with friends who were shooting movies in Kingston and in Kenya. I worked with “director greats” McGuire, Hincer, Nielson and Bellamy and was even a background performer (along with 200 other Kingstonians) in the major studio Guillermo del Toro film, Crimson Peak, shot in Kingston market square in April.  It has been fascinating to participate in this process and given me great appreciation for all the work and planning that goes into even few seconds of motion picture.

Here are some glimpses of what you might eventually see and what it took to make that magic happen in Fault. Watch for it.

Leigh Ann Bellamy and Director of Photography, Christian Paulo Malo, contemplate a camera angle.

Leigh Ann Bellamy and Director of Photography, Christian Paulo Malo, contemplate a camera angle.

Daniel Karan is boom operator. Sound is captured with lavaliere microphones hidden in the actor's costume and an overhead boom.

Daniel Karan is boom operator. Sound is captured with lavaliere microphones hidden in the actor’s costume and an overhead boom. Jennifer’s microphone was in a box of Kleenex on the counter.

Here is what you will see in the movie , or close to it. A far cry from the bare Domino dressing room.

Here is what you will see in the movie , or close to it. A far cry from the bare Domino dressing room.

Jennifer Verardi and Amelia MacKenzie-Gray-Hyre in a scene from Fault.

Jennifer Verardi and Amelia MacKenzie-Gray-Hyre in a scene from Fault. When you see two characters quietly talking in a movie scene there is a whole crew only inches away making that happen.