Savouring every last drop…

I’ve spent the past couple of weekends sitting on a commode chair – the lid closed – visiting my father who is in University Hospital in London Ontario. Dad is 94 years old. His body is wearing out. He is been very lucky to be extremely active and independent up until the last few weeks. At the end of July he went with me and my daughter and granddaughter – four generations – to see Crazy For You at the Stratford Festival and three weekends ago, he spend a couple of days at my brothers cottage in Kincardine. He just reluctantly gave up his internet account last month, disappointed that he would have to miss out on Facebook messages. We have told him we would read them to him when we visit.

But his old body seems to be edging toward its expiry date.

For the shifts of the new caregivers that have never known him but now look after him, he is a frail, blind, teetery, somewhat muddled old man. I brought an old photograph to his room and put it over his bed so they could remember that he, indeed, was once young like them.

L and S 2  sepiaThe picture is one of my favourites. It was taken by a London Free Press photographer in late December 1945. It shows my dad returning to Canada after being in Europe during World War II and being greeted by my mom at the train station. They had not seen each other for 2 1/2 years. By mid 1946, they were married and remained together until my mom passed away over 60 years later.

The old man in the bed seems to be a different person. But I know that underneath his frail, deteriorating body, the essence of that  young soldier still exists. 

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It is difficult to watch someone who has been so independent and “in control” of his life become totally dependent. A few weeks ago, dad said to me “it’s not being dead that bothers me, it’s the dying part”. In addition to being sad that dad is suffering one indignity and loss after another in an accelerating  cascade, I  also reflect that living to a “ripe old age” is a two-edged sword.

Dad was initially admitted to the cardiac ward of the hospital and, as such, receives a “cardiac” diet. He keeps asking me where dessert is. “Is there any cake to go with that?” he asks as I spoon in the canned fruit cocktail. So I smuggle in donuts from the Tim Hortons shop in the lobby.

Whether it is a pre dinner gin and tonic or life itself, Dad is working on savouring it to the last drop.

Whether it is a pre dinner gin and tonic or life itself, Dad is working on savouring it to the last drop.

Last Friday he insisted that in a cupboard somewhere in the room there was a bottle of Beefeater gin that he had purchased last week.  He really wanted a gin and tonic before dinner.  On Saturday I went to the liquor store, bought a  little bottle of gin and a couple of tins of tonic, smuggled two  glasses from the hotel that I’m staying at into his room, got the nurse to bring us a bit of ice and we had a gin and tonic before dinner.  He sat back and enjoyed it and ate a good supper – complete with ice cream and a cookie.  

And why not? He’s earned it. 

Movie magic – behind the scenes

Anyone who has worked with Domino Theatre in Kingston, Ontario is familiar with the practical but rather stark actors’ dressing room.  White plaster walls, big mirrors, lights and a floating rack of costumes for whatever production is in the works.

DR1Last weekend the crew of Fault were challenged with turning that little room into a location for their movie, presumably a dressing room in the rural “Barn Theatre” where some of the movie action occurs.  Last year, scenes on the stage of the “Barn” theatre, in the lobby and lounge and outside the theatre were filmed. An additional pick up scene was required to finish the film and the original location was not available.  Fault‘s producer, Barbara Bell, coaxed her Kingston theatre friends to let Fault use the Domino dressing room for this scene.

The crew arrived at Domino around 6 pm after a day shooting outdoors and started to scrounge for set pieces to give the place more character.

Director Leigh Ann Bellamy contemplating how to dress this set.

Director Leigh Ann Bellamy contemplating how to dress this set.

Now, if you are going to look to dress a set, the best place to be is in a theatre.  Soon the small crew came up with pieces of wall and drapes and lights and set pieces that turned one corner of the DominoTheatre dressing room into a wonderfully warm set, rich with great character.

The scene, with Jennifer Verardi and Amelia MacKenzie-Gray-Hyre and directed by Leigh Ann Bellamy was shot from several angles, including one from between the costumes on the rack.

By 11 pm it was a wrap, the props and set dressing all returned to various cubby holes in the Domino Theatre and the crew on thier way home, anticipating one more day if shooting before the movie was in the can and ready for all the work of post production.

In the past year or two I have had the pleasure of working, in varying capacities, with friends who were shooting movies in Kingston and in Kenya. I worked with “director greats” McGuire, Hincer, Nielson and Bellamy and was even a background performer (along with 200 other Kingstonians) in the major studio Guillermo del Toro film, Crimson Peak, shot in Kingston market square in April.  It has been fascinating to participate in this process and given me great appreciation for all the work and planning that goes into even few seconds of motion picture.

Here are some glimpses of what you might eventually see and what it took to make that magic happen in Fault. Watch for it.

Leigh Ann Bellamy and Director of Photography, Christian Paulo Malo, contemplate a camera angle.

Leigh Ann Bellamy and Director of Photography, Christian Paulo Malo, contemplate a camera angle.

Daniel Karan is boom operator. Sound is captured with lavaliere microphones hidden in the actor's costume and an overhead boom.

Daniel Karan is boom operator. Sound is captured with lavaliere microphones hidden in the actor’s costume and an overhead boom. Jennifer’s microphone was in a box of Kleenex on the counter.

Here is what you will see in the movie , or close to it. A far cry from the bare Domino dressing room.

Here is what you will see in the movie , or close to it. A far cry from the bare Domino dressing room.

Jennifer Verardi and Amelia MacKenzie-Gray-Hyre in a scene from Fault.

Jennifer Verardi and Amelia MacKenzie-Gray-Hyre in a scene from Fault. When you see two characters quietly talking in a movie scene there is a whole crew only inches away making that happen.

O Captain

It is difficult not to join the global outpouring of dismay and grief over the death of actor/comedian Robin Williams. I think it is tinged with guilt.

How could we all have taken such great pleasure from this man, reveling in his eccentric, manic, energy and talent and generosity of spirit and yet leave him empty inside? Was he aware of how treasured his contribution to humanity has been? Was there anything that his many caring colleagues and friends who have flooded news media and social networking sites to express their sadness at his death could have done to help lift him from depression and give him a reason not to take his own life? Have we failed, as a society and as individuals, to be able to help people who struggle with depression?

Maybe we are not feeling guilty but we are scared, afraid to acknowledge that when we suffer mental health issues, no matter how much support we have around us, we ultimately are in it alone.

Robin Willams’ characters have given us sensitive glimpses into living and dying and being an integral part of this world. He left behind a treasure trove of images and words and actions that will continue to entertain and educate but will now take on an additional edge.

Glenn Close has been an active advocate for a group called Bring Change 2 Mind. Read about her work and take the “pledge” found on their website.

http://www.bringchange2mind.org

And finally, the full Whitman poem referred to in Dead Poet’s Society.

O CAPTAIN! my Captain! our fearful trip is done;
The ship has weather’d every rack, the prize we sought is won;
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring:
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;
Rise up–for you the flag is flung–for you the bugle trills; 
For you bouquets and ribbon’d wreaths–for you the shores a-crowding;
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head;
It is some dream that on the deck,
You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still;
My father does not feel my arm, he has no pulse nor will;
The ship is anchor’d safe and sound, its voyage closed and done;
From fearful trip, the victor ship, comes in with object won; 
Exult, O shores, and ring, O bells!
But I, with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
Walt Whitman

The Jim Owen Computer Classroom in Kenya

It is an absolute delight to report that the Jim Owen Computer Classroom at the St Gorety Secondary School in Nyatike District of Kenya is built.

DSCN2576 Friends and family of Jim Owen, who passed away early in November, wanted to remember him with something lasting. Jim was always interested in computers and things electronic. He could spend hours just wandering the aisles of the Canada Computers store and if you had a problem with your laptop or anything else electronic he was happy to spend hours tinkering to get it fixed.

It was appropriate that a memorial to Jim be directed toward a planned computer classroom that the CanAssist African Relief Trust was about to fund. Donations flooded in – he was well-loved – and I am happy to report that the building has been constructed and four complete computers purchased and installed.

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The school is delighted. Students realize that they are in a much better place to acquire post secondary employment if they have some computer familiarity. In rural areas like Nyatike this is to easy to achieve. Most of the students at the school may not have electricity at their homes let alone a computer.

CanAssist is happy to report this progress and thank all who donated to this memorial. The school has mounted a plaque with Jim’s photo on it in the classroom.

Asante sana.

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Ontario summer fun

Can there be anything more fun than getting together with your cousins at a cottage in the summer?

* no fish or amphibians were (intentionally) harmed during the making of this video.  )Two of the frogs may have ended up a bit worse for wear with some over zealous squeezing.)

A “Midsummer” Treat

This week I treated myself to a binge of Theatre at the Stratford (Ontario) Festival.

On Wednesday I took in six hours of Shakespeare!  I was totally absorbed in the matinee performance of King Lear, recalling lines from when I studied it in Grade 13 (fifty years ago).  I had seen William Hutt as Lear back then and have always wondered if anyone else could match his interpretation.  Colm Feore certainly is up to the task.   Later this month I start rehearsal for the Kings Town Players production of August: Osage County.  I thought that the Weston family was about as dysfunctional as it gets – but after three hours with the Lear’s and the Gloucesters,  I think that Shakespeare’s bunch take the prize.

The bare thrust stage at the Festival Theatre converted to a summer garden party for Midsummer Night's Dream.  As the audience came in, actors as partygoers, mingled and chatted with them.

The bare thrust stage at the Festival Theatre converted to a summer garden party for Midsummer Night’s Dream. As the audience came in, actors as partygoers, mingled and chatted with them.

That evening, after a great summer meal on a downtown patio, I returned to the theatre to find the stage transformed from its classical bare bones into a colourful outdoor garden. Midsummer Night’s Dream was was presented as if it were a play put on by friends for a couple celebrating their wedding. In keeping with 2014, the married couple was interracial and two men.  Even in the play, Lysander (written by Shakespeare as a male role, part of the central love triangle) is played by a woman, as a woman.

 

If_I_Loved_You_600x400This adds a whole new wrinkle to the play and reminded me of a concert that my daughter and I went to earlier this year in Toronto. It was part of the Luminato Festival. Created  by Rufus Wainwright it was entitled “If I Loved You” – men singing traditional Broadway (love) songs, sometimes to each other. By intermission the gender thing had disappeared and it was quite remarkable to hear songs like “We Kiss in a Shadow” or “People Will Say We’re In Love” or “There’s a Place for Us” , songs you usually associate as duets between a man and a woman, being sung by two men.  (Other performers besides Rufus, included Josh Grobin, Brent Carver, Boy George and Steven Page).

But I digress.

Many of the cast of Lear were also in “Dream”.  It was really fun to see the actor who played Edgar on the heath in the afternoon be Titania, the Fairy Queen at night.  I particularly enjoyed Mike Shara, who, in King Lear, played a nasty Cornwall, gouging out Gloucester’s eyes but in the evening was a silly lanky lovestruck Demetrius in torn jeans. Gloucester played by Scott Wentworth had also recovered by 8pm to join the party. The remarkable Stephen Ouimette is the Fool in Lear and Bottom in “Dream”.  His comedic timing rivals Lucille Ball.  It is always a pleasure to watch him perform.

And kudos to our Kingston friend,  Brett Christopher, who was Assistant Director for this creative and engaging production.

The same stage prior to the opening of Crazy For You.

The same stage prior to the opening of Crazy For You.

On Thursday afternoon I took my 94 year old Dad, my daughter (won’t say her age) and my 6 year old granddaughter to see Crazy For You.  Once again the main stage had been transformed into something completely different.  We were in the second row and right beside one of the downstage exits so it practically put us in the performance.

Dad’s vision isn’t good and I was not sure if he was snoozing or just resting his eyes at one point as 30 energetic performers about 8 feet away from us sang their lungs out and tap danced.  On a couple of occasions, he did look up and, in a stage whisper (quite literally as we were almost ON the stage), say
“Boy, they sure can dance, can’t they?”

Aspiring starlet

Aspiring starlet

Emma was entranced and clapped vigorously after each number.  Some of the smiling, actors made eye contact with her when they were tap dancing their heart out near the front of the stage and one gave her a little wave during the curtain call which Emma returned.  I wondered if they were looking down and seeing Emma and thinking fondly of their dreams to be dancers on a stage like this when they grew up.   I told Emma that when she was doing something like this when she was an adult she must remember to wink at the little girls in the audience who are dreaming of being up there some day.

I am awed by the energy and talent and creativity at the Stratford Festival.   I can’t believe how smoothly and quickly the stage transforms in front of you between scenes – like magic.  I also marvel at the actors who (seemingly) effortlessly put on hours of performance as two completely different characters, making each role fresh and exciting.

The visit to Stratford Festival 2014 was, indeed, a memorable treat.

Stephen Ouimette (left) as Bottom, Evan Buliung as Titania and Jonathan Goad as Oberon in A Midsummer Night's Dream.  In the same afternoon these three were in King Lear playing the Fool, Edgar and Kent.  Photo by Erin Samuell. (Stratford Festival website)

Stephen Ouimette (left) as Bottom, Evan Buliung as Titania and Jonathan Goad as Oberon in A Midsummer Night’s Dream. In the same afternoon these three were in King Lear playing the Fool, Edgar and Kent. Photo by Erin Samuell. (Stratford Festival website)